Рок музика и рокерски бендови

[StormRage]

хехехе рок... мислам најдобар рок шо е се некој од постарите песни... имат и од 90 навака ама ги слушам постариве... некако поќе на рок ми личит... а инаку токио хотел се ’рѓосани тенџериња...

 

[Гижо]

:nesvest:

Мислам дека го имам пишано ова, ама заради мојата мрза за пребарување, ќе го земам ризикот од повторување на себе си и ќе кажам (веројатно уште еднаш): Coheed and Cambria, се ЕМО колку што Fall Out Boy се хеви-металци! Live with it, не се што не ви се допаѓа е емо, исто како што не секој ден е Велигден. Coheed and Cambria СЕ најмногу прогресив по примесите што ги имаат во песните, но не, не се целосно типичен прогресив бенд...иако баш би сакала да се јави некој да објасни што е точно типичен прогресив бенд по дефиниција

Доволно е само од слушање на било какви прогресив бендови за да го приметиш "прогресирањето" на звукот во песните на такви бендови. Ова е наједноставно што може да се каже.

 

[brainticket]

пошто ме мрзи да го преведувам кој има нерви и желба може да го прочита:

A definition of Progressive Rock Music

​

Progressive rock ("prog") is an ambitious, eclectic, and often grandiose style of rock music which arose in the late 1960s principally in England, reaching the peak of its popularity in the early 1970s, but continuing as a musical form to this day. Progressive rock was largely a European movement, and drew most of its influences from classical music and jazz fusion, in contrast to American rock, which was influenced by rhythm & blues and country, although there are notable exceptions in the New World such as Kansas and Rush — considered by many to be the finest examples of the form. Over the years various sub-genres of progressive rock have emerged, such as symphonic rock, art rock and progressive metal.

Progressive rock artists sought to move away from the limitations of radio formatted rock and pop, and "progress" rock to the point that it could achieve the sophistication of jazz or classical music. It is admired by its fans for its complexity, requiring a high level of musical virtuosity to perform. Critics have often derided the genre as pompous and self-indulgent. This is because, unlike such stylistically consistent genres as country or hip hop, progressive rock is difficult to define in a single conclusive way. Outspoken King Crimson leader Robert Fripp has voiced his disdain for the term. The major acts that defined the genre in the 1970s (Yes, Genesis, Emerson Lake and Palmer, Rush and King Crimson) do not sound alike. There is also debate on whether bands such as The Beatles, Phish, and Radiohead belong to the genre.

Some common, though not universal, elements of progressive rock include:

• Long compositions, sometimes running over 20 minutes, with intricate melodies and harmonies that require repeated listening to grasp. These are often described as epics and are the genre's clearest nod to classical music. An early example is the 23-minute "Echoes" by Pink Floyd. Other famous examples include Jethro Tull's "Thick as a Brick" (43 minutes), Yes' "Close to the Edge" (18 minutes) and Genesis' "Supper's Ready" (23 minutes). More recent extreme examples are the 60-minute "Light of Day, Day of Darkness" by Green Carnation and "Garden of Dreams" by The Flower Kings.
• Lyrics that convey intricate and sometimes impenetrable narratives, covering such themes as science fiction, fantasy, history, religion, war, love, and madness. Many early 1970s progressive rock bands (especially German ones) featured lyrics concerned with left-wing politics and social issues.
• Concept albums, in which a theme or storyline is explored throughout an entire album in a manner similar to a film or a play. In the days of vinyl, these were usually two-record sets with strikingly designed gatefold sleeves. Famous examples include The Lamb Lies Down on Broadway by Genesis, Tales from Topographic Oceans by Yes, 2112 by Rush, Dark Side of the Moon and The Wall by Pink Floyd, and the more recent Metropolis Part II: Scenes from a Memory by Dream Theater and Snow by Spock's Beard. Aqualung, perhaps the best-known record by Jethro Tull, is often regarded as a concept album due to its recurring themes, but songwriter Ian Anderson has always claimed that the album is just "a bunch of songs".
• Unusual vocal styles and use of multi-part vocal harmonies. See Magma, Robert Wyatt, and Gentle Giant.
• Prominent use of electronic instrumentation — particularly keyboard instruments such as the organ, piano, Mellotron, and Moog synthesizer, in addition to the usual rock combination of electric guitar, bass and drums.
• Use of unusual time signatures, scales, or tunings. Many pieces use multiple time signatures and/or tempi, sometimes concurrently. Solo passages for virtually every instrument, designed to showcase the virtuosity of the player. This is the sort of thing that contributed to the fame of such performers as keyboardist Rick Wakeman and drummer Neil Peart.
• Inclusion of classical pieces on albums. For example, Yes start their concerts with a taped extract of Stravinsky's Firebird suite, and Emerson Lake and Palmer have performed arrangements of pieces by Copland, Bartуk, Moussorgsky, Prokofiev, Janacek, Alberto Ginastera, and often feature quotes from J. S. Bach in lead breaks. Jethro Tull recorded a famous cover of J. S. Bach's "Bouree", in which they turned the classical piece into a "sleazy jazzy night-club song", according to Ian Anderson. Marillion started concerts with Rossini's La Gazza Ladra (The Thieving Magpie). Symphony X has included parts by, or inspired by, Beethoven, Holst and Mozart.
• An aesthetic linking the music with visual art, a trend started by The Beatles with Sgt. Pepper's and enthusiastically embraced during the prog heyday. Some bands became as well-known for the art direction of their albums as for their sound, with the "look" integrated into the band's overall musical identity. This led to fame for particular artists and design studios, most notably Roger Dean, whose paintings and logo design for Yes are so essential to the band's identity they could be said to serve the same function as corporate branding. Hipgnosis became equally famous for their unusual sleeves for Pink Floyd, often featuring experimental photography quite innovative for the time (two men shaking hands, one of whom is in flames, on the cover of Wish You Were Here). H.R. Giger's painting for Emerson Lake and Palmer's Brain Salad Surgery is one of the most famous album sleeves ever produced.

Progressive rock compositions sometimes take the following forms:

• A piece that is subdivided into movements in the manner of a classical suite. Examples are the four-part "Close to the Edge" by Yes, six-part "Hemispheres" by Rush, and the seven-part "A Change of Seasons" by Dream Theater. All of TransAtlantic's epics are multipart.
• A piece that is composed of a patchwork of musical themes that could conceivably stand as individual songs, but together serve to relate a complete narrative through music. Examples are "Supper's Ready" on Genesis' Foxtrot (the "Willow Farm" section of which was played as a single), "A Day in the Life" on Sgt. Pepper's Lonely Hearts Club Band by The Beatles, Jethro Tull's Aqualung from the album of the same name, and "The Gates of Delirium" on Yes's album Relayer (from which the single "Soon" was taken)

тука е све убаво објаснето,али џабе ако не преслушаш нешто.има ногу под жанрови на прогресив рок Psychedelic space prog rock:pink floyd,eloy,oceansize,Hawkwind. Symphonic progressive rock :Genesis,emerson lake and Palmer,Yes,Camel. Zeuhl:Magma,univers zero.Neo progressive:marrilion,Satellite,itn....

• Canterbury Scene
• Crossover Prog
• Eclectic Prog
• Experimental/Post Metal
• Heavy Prog
• Indo-Prog/Raga Rock
• Italian Symphonic Prog
• Jazz Rock/Fusion
• Krautrock
• Neo Progressive
• Post Rock/Math rock
• Prog Folk
• Prog Related
• Progressive Electronic
• Progressive Metal
• Proto-Prog
• Psychedelic/Space Rock
• RIO/Avant-Prog
• Symphonic Prog
• Tech/Extreme Prog Metal
• Various Genres
• Zeuhl
• а најблизу Coheed And Cambria можат да се сместат у Prog related,оти немат баш заедничко со гореспоменатите бендови.

 

[Гижо]

Да да, ориентацијата со џезот е правото објаснување

 

[PoisonGrl]

пошто ме мрзи да го преведувам кој има нерви и желба може да го прочита:

A definition of Progressive Rock Music​

Progressive rock ("prog") is an ambitious, eclectic, and often grandiose style of rock music which arose in the late 1960s principally in England, reaching the peak of its popularity in the early 1970s, but continuing as a musical form to this day. Progressive rock was largely a European movement, and drew most of its influences from classical music and jazz fusion, in contrast to American rock, which was influenced by rhythm & blues and country, although there are notable exceptions in the New World such as Kansas and Rush — considered by many to be the finest examples of the form. Over the years various sub-genres of progressive rock have emerged, such as symphonic rock, art rock and progressive metal.

Progressive rock artists sought to move away from the limitations of radio formatted rock and pop, and "progress" rock to the point that it could achieve the sophistication of jazz or classical music. It is admired by its fans for its complexity, requiring a high level of musical virtuosity to perform. Critics have often derided the genre as pompous and self-indulgent. This is because, unlike such stylistically consistent genres as country or hip hop, progressive rock is difficult to define in a single conclusive way. Outspoken King Crimson leader Robert Fripp has voiced his disdain for the term. The major acts that defined the genre in the 1970s (Yes, Genesis, Emerson Lake and Palmer, Rush and King Crimson) do not sound alike. There is also debate on whether bands such as The Beatles, Phish, and Radiohead belong to the genre.

Some common, though not universal, elements of progressive rock include:

• Long compositions, sometimes running over 20 minutes, with intricate melodies and harmonies that require repeated listening to grasp. These are often described as epics and are the genre's clearest nod to classical music. An early example is the 23-minute "Echoes" by Pink Floyd. Other famous examples include Jethro Tull's "Thick as a Brick" (43 minutes), Yes' "Close to the Edge" (18 minutes) and Genesis' "Supper's Ready" (23 minutes). More recent extreme examples are the 60-minute "Light of Day, Day of Darkness" by Green Carnation and "Garden of Dreams" by The Flower Kings.
• Lyrics that convey intricate and sometimes impenetrable narratives, covering such themes as science fiction, fantasy, history, religion, war, love, and madness. Many early 1970s progressive rock bands (especially German ones) featured lyrics concerned with left-wing politics and social issues.
• Concept albums, in which a theme or storyline is explored throughout an entire album in a manner similar to a film or a play. In the days of vinyl, these were usually two-record sets with strikingly designed gatefold sleeves. Famous examples include The Lamb Lies Down on Broadway by Genesis, Tales from Topographic Oceans by Yes, 2112 by Rush, Dark Side of the Moon and The Wall by Pink Floyd, and the more recent Metropolis Part II: Scenes from a Memory by Dream Theater and Snow by Spock's Beard. Aqualung, perhaps the best-known record by Jethro Tull, is often regarded as a concept album due to its recurring themes, but songwriter Ian Anderson has always claimed that the album is just "a bunch of songs".
• Unusual vocal styles and use of multi-part vocal harmonies. See Magma, Robert Wyatt, and Gentle Giant.
• Prominent use of electronic instrumentation — particularly keyboard instruments such as the organ, piano, Mellotron, and Moog synthesizer, in addition to the usual rock combination of electric guitar, bass and drums.
• Use of unusual time signatures, scales, or tunings. Many pieces use multiple time signatures and/or tempi, sometimes concurrently. Solo passages for virtually every instrument, designed to showcase the virtuosity of the player. This is the sort of thing that contributed to the fame of such performers as keyboardist Rick Wakeman and drummer Neil Peart.
• Inclusion of classical pieces on albums. For example, Yes start their concerts with a taped extract of Stravinsky's Firebird suite, and Emerson Lake and Palmer have performed arrangements of pieces by Copland, Bartуk, Moussorgsky, Prokofiev, Janacek, Alberto Ginastera, and often feature quotes from J. S. Bach in lead breaks. Jethro Tull recorded a famous cover of J. S. Bach's "Bouree", in which they turned the classical piece into a "sleazy jazzy night-club song", according to Ian Anderson. Marillion started concerts with Rossini's La Gazza Ladra (The Thieving Magpie). Symphony X has included parts by, or inspired by, Beethoven, Holst and Mozart.
• An aesthetic linking the music with visual art, a trend started by The Beatles with Sgt. Pepper's and enthusiastically embraced during the prog heyday. Some bands became as well-known for the art direction of their albums as for their sound, with the "look" integrated into the band's overall musical identity. This led to fame for particular artists and design studios, most notably Roger Dean, whose paintings and logo design for Yes are so essential to the band's identity they could be said to serve the same function as corporate branding. Hipgnosis became equally famous for their unusual sleeves for Pink Floyd, often featuring experimental photography quite innovative for the time (two men shaking hands, one of whom is in flames, on the cover of Wish You Were Here). H.R. Giger's painting for Emerson Lake and Palmer's Brain Salad Surgery is one of the most famous album sleeves ever produced.

Progressive rock compositions sometimes take the following forms:

• A piece that is subdivided into movements in the manner of a classical suite. Examples are the four-part "Close to the Edge" by Yes, six-part "Hemispheres" by Rush, and the seven-part "A Change of Seasons" by Dream Theater. All of TransAtlantic's epics are multipart.
• A piece that is composed of a patchwork of musical themes that could conceivably stand as individual songs, but together serve to relate a complete narrative through music. Examples are "Supper's Ready" on Genesis' Foxtrot (the "Willow Farm" section of which was played as a single), "A Day in the Life" on Sgt. Pepper's Lonely Hearts Club Band by The Beatles, Jethro Tull's Aqualung from the album of the same name, and "The Gates of Delirium" on Yes's album Relayer (from which the single "Soon" was taken)

тука е све убаво објаснето,али џабе ако не преслушаш нешто.има ногу под жанрови на прогресив рок Psychedelic space prog rock:pink floyd,eloy,oceansize,Hawkwind. Symphonic progressive rock :Genesis,emerson lake and Palmer,Yes,Camel. Zeuhl:Magma,univers zero.Neo progressive:marrilion,Satellite,itn....

• Canterbury Scene
• Crossover Prog
• Eclectic Prog
• Experimental/Post Metal
• Heavy Prog
• Indo-Prog/Raga Rock
• Italian Symphonic Prog
• Jazz Rock/Fusion
• Krautrock
• Neo Progressive
• Post Rock/Math rock
• Prog Folk
• Prog Related
• Progressive Electronic
• Progressive Metal
• Proto-Prog
• Psychedelic/Space Rock
• RIO/Avant-Prog
• Symphonic Prog
• Tech/Extreme Prog Metal
• Various Genres
• Zeuhl
• а најблизу Coheed And Cambria можат да се сместат у Prog related,оти немат баш заедничко со гореспоменатите бендови.

Ете ако тоа горе даденото е дефиницја за прог јас ги потцртав сите елементи кои C&C ги имаат во своите песни/ албуми. Дали влечат корени од џезот, не знам затоа што џез не слушам, но сигурна сум дека имаат делови кои се земени од и делови кои се направени да личат на класична музика. :smir:

 

[LADY IN CHAINS]

Definitivno najdobar pravec na rok muzika spored mene e grunge,dobri rifovi a da ne zboruvame za tekstovite na pesnite vokali kako layne staley ,eddie vedder i cris cornel se ragaat samo ednas.

 

[Bavarecot]

Поштува рок од 80-те, 90-те и по некој од сегашниве.
U2 - се дефиниција за рок музика, барем по мој стил,
Би ги ставил и Cranberries, HIM, Coldplay, GNR, i dr.

 

[brainticket]

слушај си ги ти Coheed and Cambria ич да не се тревожиш дали се progressive или било шо,битно на тебе да ти се свиѓат, а шо свират е најмалку битно, да се замараме со класификација е непотребно.
поздрав

 

[PoisonGrl]

слушај си ги ти Coheed and Cambria ич да не се тревожиш дали се progressive или било шо,битно на тебе да ти се свиѓат, а шо свират е најмалку битно, да се замараме со класификација е непотребно.
поздрав

Моментот се цени.:smir: Сепак здрава дебата не е на одмет

 

[Dark^Angel]

Najdobri bendoj so koj sho spored mene treba da gi slusnat pocetnicite se Iron Maiden,Black Sabbath,Judas Priest i Metallica.Sekako tuka se i nezbeznite Deep Purple i Led Zeppelin.

 

[badluckguy]

Definitivno najdobar pravec na rok muzika spored mene e grunge,dobri rifovi a da ne zboruvame za tekstovite na pesnite vokali kako layne staley ,eddie vedder i cris cornel se ragaat samo ednas.

Инаку гранџот е измислен од новинарите...:helou:
Самите Нирвана во едно интервју изјавувааат what the fuck is grunge?

 

[Петра П.]

Инаку гранџот е измислен од новинарите...:helou:
Самите Нирвана во едно интервју изјавувааат what the fuck is grunge?

[FONT=&quot]zborot grunge prv go upotrebil Mark Arm frontmenot na Green river a podocna i pejac na Mudhoney. Toj go iskoristil zbort vo negativna smisla i rekol " pure grunge, pure shit". I ottogas novinarite go koristat ovaj termin za da go objasnat stilot na muzika sto go imale drugite bendovi , a bil slicen so onaj na Green river. :smir:
[/FONT]

 

[Diablita]

Добро зошто се умарате со овакви срања? Дали слушаш рок дали слушаш метал и ако е рок со рок слушаш и ако е метал шо метал е? Што е толку битно дали слушаш heavy, black, death, trash, progressive... Се е тоа исто срање! Добро, не е скрос исто, а у никој случај не е срање ама се почнало од една иста музика-Рок. И сеа секој еден поединец што си додавал по нешто свое во музиката што ја правел, денес се класифицира како посебен вид музика! А лугево се декларираат како вакви или онакви металци а уствари пола од нив немаат појма ни како почнало сето тоа!

 

[BountyHunter]

не почнал металот како рок. металот почнал како блуз. после се дале примеси од рок и дошол овај метал шо се слушат сега.

 

[pcjodamaster]

Error.

Металот еволуирал од рокот кој почнал од блузот.