High Noon
Helen: You're a good-looking boy: you've big, broad shoulders. But he's a man. And it takes more than big, broad shoulders to make a man.
Bicentennial Man
Rupert Burns: What do they say? - за
Andrew Martin: That you can lose yourself. Everything. All boundaries. All time. That two bodies can become so mixed up, that you don't know who's who or what's what. And just when the sweet confusion is so intense you think you're gonna die... you kind of do. Leaving you alone in your separate body, but the one you love is still there. That's a miracle. You can go to heaven and come back alive. You can go back anytime you want with the one you love.
Laura
Shelby Carpenter: I don't know a lot about anything, but I know a little about practically everything.
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Waldo Lydecker: I wish to point out that you caught me in my most difficult moment, ordinarely I'm not without a heart.
Laura Hunt: Really?
Waldo Lydecker: Should I produce x-ray pictures to prove it? - I wish to apologize.
Laura Hunt: Your apology is accepted.
It's a Wonderful Life
Clarence: Strange, isn't it? Each man's life touches so many other lives. When he isn't around he leaves an awful hole, doesn't he?
City Lights
- Tomorrow the birds will sing
Make Way for Tomorrow
Lucy Cooper: A man and a maid stood hand in hand; bound by a tiny wedding band. Before them lay the uncertain years that promised joy and, maybe tears. "Is she afraid?" thought the man of the maid. "Darling," he said in a tender voice, "Tell me. Do you regret your choice? 'We know not where the road may wind, 'or what strange byways we may find. 'Are you afraid?" said the man to the maid. She raised her eyes and spoke at last. "My dear," she said, "the die is cast. 'The vows have been spoken. The rice has been thrown. 'Into the future we'll travel alone. 'With you," said the maid, "I'm not afraid."
